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©
2001-06 All
Cartoons and Graphics
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August 2006! A Music Business Resource Center... David
J. Spangenberg's The
Ultimate Gift For Someone You Believe In -
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Note:
It is strongly recommend that You read the book from beginning to end. Many parts of the music business, and therefore many of the topics, overlap each other, and it's important You get the full picture. No matter what Your interests are in music, the only way to get a real "feel" for the music business is learn it from "cover to cover". |
The
Music Biz is split into 4 sections, putting major emphasis on
all aspects of Songwriting and Publishing; Performing;
Recording; and the Business side of Music. Here
is a brief description of the sections:
1.
Songwriting & Publishing: Covers how to write and/or recognize, well-written,
as well as marketable songs; how to protect them; how to record them;
how to "sell" them; how to deal with Publishers and Songwriting
Contracts; and how to receive a share of the Publishing income or actually
become a Music Publisher, Yourself.
2.
Performing: Covers how to become a Professional Singer or Musician,
how to choose the right people to work with, such as when forming a
band or group; how to choose the right songs and prepare them for live
performances; how to get "gigs", paying jobs, and how to move
up the ladder; and how to prepare Yourself for performing on stage.
3.
Recording: Covers how to make the right recording decisions
for Yourself, Your group or band, starting with what type of recording
to make; whether You need the help of, or how to deal with people such
as Arrangers, Producers, Engineers and Sound Designers, or wish to become
one Yourself; how to prepare Yourself for recording, how to choose the
right type of standard or MIDI studio for Your situation as well as
how to deal with them; how to conduct Your recording sessions from first
note to final mix; and also includes information regarding recording
on location, plus video taping.
4.
Minding Your Business: Covers how to decide which career is right for
You and how to go about dealing with the business side of the Music
Business. This includes how to promote Yourself to Your audience and
the people in the business, such as Agents, Managers, etc.; how to become
a Manager or Agent Yourself; how to deal with contracts in general and
Entertainment Business Attorneys; how to approach and deal with Record
Companies contractually and otherwise; and how to make a decent living
in the business while You're trying to reach Your main goal.
Simply put, the aim of "The Music Biz" is to guide a person safely down the path, step by step, into a successful full or part-time career in…
The
Music Business
Back
Artist Development & Management
©
1984-2006 David J. Spangenberg
All Rights Reserved
10 Week Complete Course
Up-to-date for 2006
Includes
Contract
Between Artist & Manager
and How to Negotiate It
Step
by Step, in Simple,
Easy-to-understand Language
How
to become a Successful...
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Singer/Performer
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Musician, Band, Group,
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and/or Manager
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If you wish to become a Successful Singer or Member of a Successful Group or Band, you should know as much as you can about "The Music Biz". You should know how it operates and the correct steps to take, in the right order, to achieve Success - including, choosing the right Manager to help "guide you"... |
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Likewise, if you wish to become a Successful Manager, you must choose the right Artist to Manage, and know what you must do to help Your Artist move up the "Road to Success". |
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This
Business is large and sophisticated and requires a solid TEAM.
Every successful Artist has a great Manager - and every successful
Manager has a great Artist. Simply put, the left hand must know
what the right hand is doing [or should be doing] or you
as an Artist/Band or Manager are heading for a very short career!
Each must know and understand the Music Business plus everything
they can about the other, if they wish to become success |
Artist
Development & Management
INSTRUCTOR
NAME: David J. Spangenberg
COURSE
LENGTH: 10 Weeks
Upon
completion of this course...
1. As an Artist, you will know when and why you need a Personal Manager,
how to choose one to be your Manager, and what they can and cannot do
for you.
2. As an Artist or a Manager, you will be able to read, understand and
negotiate the main points of an Artist/ Management Contractual Agreement.
3. As a Manager, you will know what to look for in a Performing Artist
and be able to decide whether or not to Manage them.
4. As a Manager or Artist, you will be able to choose the right Musicians
and Singers to work with and the proper way to prepare for performances,
including choosing the proper recording material, and creating and refining
the Artist's "image".
5. You will be able to promote the Artist for performances, and be able
to get "gigs".
6. You will be able to choose the correct Production or Record Company,
and be able to properly promote the Artist to them.
7. You will be able to understand and negotiate the important points
of Artist/Record Company and Artist/Production Company Contractual Agreements.
Back
Songwriting & Music Publishing
©
1984-2006 David J. Spangenberg
All Rights Reserved
8 Week Complete
Course
Up-to-date for
2006
Includes
Sample Contract
between Songwriter & Publisher
and How to Negotiate it
Step
by Step, in Simple,
Easy-to-understand Language
This course shows you how
to become a Successful...
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Songwriter
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Artist-Songwriter,
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Producer-Songwriter,
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and/or Publisher
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| If you wish to become a successful Songwriter in the The Music Business, you should know how the Music Business operates and the correct steps to take, in the right order, to achieve that success. |
| Likewise,
if you wish to become a very successful Music Publisher, you must
choose the "right" Songs and Songwriters [including yourself],
and know what steps to take for you to successfully help them [and
therefore, yourself] move up the "Road to Success". |
Songwriting/Music
Publishing
INSTRUCTOR
NAME: David J. Spangenberg
COURSE
LENGTH: 8 Weeks
Upon
completion of this course...
1.
As a Songwriter, or Singer/Songwriter you will know how to write a marketable
song that someone will wish to "buy".
2.
As a Music Publisher, Artist, or other producer of musical material,
you will know what to look for in a creative and marketable song.
3.
You will be able to protect (Copyright) your musical material correctly
and safely.
4.
As a Songwriter, Singer/Songwriter, Artist or Music Publisher, you will
be able to record your musical material, both demos and masters, correctly
& cost-effectively.
5.
You will be able to choose the "correct" people to aid you
in the recording process, if/when needed, (including Musicians, Singers,
Engineers, Sound Designers, Arrangers and Producers,) and be able to
deal with them financially, contractually, and personally.
6.
You will be able to choose the correct Recording Studio for your needs
and know how to deal with them, financially and otherwise.
7.
You will know who will be interested in hearing your songs and be able
to place your musical material in "the right hands" either
personally, or through an "Agent".
8.
You will be able to read, understand and negotiate the important points
of Songwriter/Music Publisher Contractual Agreements.
9.
You will know what Music Publishing Companies do, how they "operate",
and how Songwriters and Publishers make money.
10.
You will be able to start and run Your own Music Publishing Company
- the easy way.
Producing,
Producers &
Production Companies
©
2004, 2005, 2006 David J. Spangenberg
All Rights Reserved
6 Week Complete Course
Up-to-date for
2006
Step
by Step, in Simple,
Easy-to-understand "People Talk"
This course shows you how
to become a Successful...
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Producer
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&/or
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Production Company
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| If you wish to become a successful Producer in the The Music Business, you should know how the Music Business operates and the correct steps to take, in the right order, to achieve that success. |
| Likewise,
if you wish to become a very successful Production Copany, you must
choose the "right" Artists, Producers, Songs and Songwriters
[including yourself], and know what steps to take for you to successfully
help them [and therefore, yourself] move up the "Road to Success". |
Producing,
Producers and Production Companies
INSTRUCTOR
NAME: David J. Spangenberg
COURSE
LENGTH: 6 Weeks
Upon
completion of this course...
1.
As a Producer you will know how to produce a marketable recording that
someone will wish to "buy".
2.
As a Producer of musical material, you will know what to look for in
creative and marketable Artists and Songs.
3.
You will be able to protect yourself and your recordings correctly and
safely.
4.
As a Producer, you will be able to record your musical material, both
demos and masters, correctly & cost-effectively.
5.
You will be able to choose the "correct" people to aid you
in the recording process, if/when needed, (including Musicians, Singers,
Engineers, Sound Designers, Arrangers and Producers,) and be able to
deal with them financially, contractually, and personally.
6.
You will be able to choose the correct Recording Studio for your needs
and know how to deal with them, financially and otherwise.
7.
You will know who will be interested in hearing your recordings and
be able to place your musical material in "the right hands"
either personally, or through a Manager or Agent.
8.
You will be able to read, understand and negotiate the important points
of Producer Contractual Agreements.
9.
You will know what Producers & Production Companies do business-wise,
how they "operate", and how they make money.
10. You will be able to start and run Your own Production [or Indie Record] Company.
Music
Business Law
Basics
©
1991-2006 David J. Spangenberg
All Rights Reserved
Valuable Info That Can Protect
You and Your Career!
"Every semester in my "Entertainment Law" Course at a well-known Art Institute I spent approximately the first eight hours of the term presenting, explaining and discussing what I call the "Contract Basics of Music Business Law". That is, words, terms, phrases and clauses that appear [or should appear] time and again, from contract to contract, and what they're all about. We covered what to look out for in a contract that can hurt you - as well as what's been left out of a contract that can help You - if written and inserted correctly. And, it's all in plain, simple, easy-to-understand People Talk!"
Music
Business Education & Courses
Artist
Development & Management
Songwriting &
Music Publishing
Producing
& Production Companies
Music Business Law
Basics & Contracts
"The Music Biz" [Book]